For a nation that (supposedly) swears by women empowerment, accepting a film which talks serious business around it, and then getting the nod of our sanskari Censor Board isn’t a cake’s walk for any filmmaker. But all credit to director Pan Nalin, for not only making such a bold statement, but also getting through the entire hypocrite system. The film by its name justifies how angry every Indian goddess might be seeing the plight women have faced all through their struggle seeking equality. While the prelude and introduction of all seven women sets the pace of the film rolling from the very start, it only reached a crescendo hinting at what lies ahead for the viewers in its brilliantly created opening credits montage.
I say...... 